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“Faded Yeller” is, simply attach, one of the greatest films (and books) ever laid on celluloid. If you’re unique with the fable, you don’t know what you are missing. “Outmoded Yeller” tells the sage of two boys (expertly played by Tommy Kirk and Kevin Corcoran) who end on their Texas farm with their mother while their father (Fess Parker) goes on a cattle drive. Yeller shows up and gives the elder brother, Travis Coates (Kirk), quite a bit of anguish until the dog proves his worth by saving everyone in the Coates family in one draw or another. Of course, the ending of this heartwarming film is perhaps one of the most depressing in cinematic history, and Tommy Kirk handles his emotions onscreen to perfection.
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“Savage Sam,” which is sort of a sequel to “Venerable Yeller” since it has Travis and small brother Arliss in it, not to mention two other memorable characters (which I’ll procure to later) . In it, Sam is the Coates’ original dog and grand like Yeller, he’s shiny, daring, and manages to come by into misfortune often. Unlike “Worn Yeller,” which was more of a peruse in the relationship between a young boy and his dog, “Savage Sam” plays out more like a Western adventure, burly of Injun fightin’, cowboys, and even a touch of romance. Travis, Arliss, and their friend, Lisbeth Searcy (Marta Kristen of “Lost In Spot”) are captured by a band of Apache warriors who view to do who knows what to them. The Coates’ uncle Beck (Brian Keith), Mr. Searcy (Jeff York) from the first film, and a gang that includes, among others, Slim Pickens and Dewey Martin, head out to establish the kids. Along the blueprint they retract up Sam, who was opinion to be dumb. Eventually, Sam picks up the kids’ waddle and he leads our heroes to the three captives. The ending of this film is a lot happier than “Passe Yeller,” but that ol’ yeller dog space the bar so high that most will believe “Savage Sam” tainted to it. That’s a resplendent statement, but there are few films out there that aren’t unfavorable to “Weak Yeller.”
Bud Searcy (Jeff York) almost manages to take both of these films. His proud, sluggish, and “always around about dinner time” character is easily the funniest in the lot. Tommy Kirk and Kevin Corcoran act well beyond their young years should allow in this film. Kirk is especially pleasant at conveying the heartwrenching emotions that he feels as he puts Primitive Yeller to rest. Beverly Washburn portrays young Lisbeth Searcy in “Obsolete Yeller,” but she didn’t return for “Savage Sam.” No reason is given, but Marta Kristen fills the role nicely and the character gets a powerful amount of mask time in “Sam.”
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The DVD extras are very nice. “Bone Misfortune” is a Disney short in which Pluto has a run-in with a neighbor dog over a bone in a mirror funhouse. It’s a nice addition to this situation. The loyal gems here are the features on Don Gipson, author of both “Venerable Yeller” and “Savage Sam.” Gipson’s son is interviewed on the day that Yeller and Travis are to be enshrined in front of the local library in Mason, TX, where the Gipson clan is from. There’s also interviews with the cast in new years about the making of the film. In it, Dorothy McGuire, Chuck Connors and Jeff York are fondly remembered by the rest of the novel cast. There’s also an intimate scrutinize at the Disney film life of Tommy Kirk.
“Aged Yeller” is a must-have for any suitable fan of film and/or Disney. It’s a Western narrative that rivals “Shane” as one of the greatest Westerns of all time. “Savage Sam” is also a delight to have, and I’m happy it’s included on this disk.
Highly recommended.
A pair of savory, classic (in the classic sense of the word) Disney animal stories, and nobody did animal stories betters than Disney. Outmoded YELLER and SAVAGE SAM are a couple of family helpful gems.
Worn YELLER (1957) is the narrative of a great, barrel chested, half-lab half-mastiff and all ample yellow haired mongrel who adopts himself into a farm family some time shortly after the American Civil War, somewhere deep in the heart of rural Texas. As the anecdote opens Pa (Fess Parker) is leaving for the summer to drive and sell cattle for some grand needed cash money, leaving Ma (Dorothy McGuire,) teenage son Travis (Tommy Kirk) and six-year-old son Arliss (Kevin Corcoran) to tend the farm in his absence. No sooner has Pa disappeared over the hill when a enormous yellow dog explodes on the scene, scaring the plowing mule and, a bit later, stealing a hank of middling meat. Travis wants to raze him, for young Arliss it’s admire at first examine. Worn Yeller’s set is a minute shaky until Arliss, one of those kids whose pockets have to be emptied of garter snakes and horny toads before he’s allowed into the cabin, starts playing with a young beget cub far enough away from the cabin to compose human rescue impossible. The mama hold and Extinct Yeller whisk onto the scene at about the same time, and their confrontation is quite entertaining. The rescue is enough for the family to catch Yeller into the fold, and in return Yeller will place everyone in the family’s lives at least once. Anyone whose read Fred Gipson’s new of the same name will be prepared for the serious distress when `the hydrophoby’ hits the valley. To its credit Disney doesn’t rewrite the tragic ending. Gipson, by the arrangement, also is credited as the screenwriter.
SAVAGE SAM (1963), another Gipson dog chronicle, revisits the Coates family five years on. Kirk and Corcoran, both five years older, are befriend as Travis and Arliss. This time Ma and Pa are off visiting Ma’s sick mother, Uncle Beck (Brian Keith) drops in on the boys now and then, and the family dog is now Savage Sam, a hound dog (mainly hound, something else is mixed in his blood.) Sam can track objective about anything, which comes in handy when he and Arliss go off chasing a egg-stealing bobcat and along with Travis and young Lisbeth Searcy (Marta Kristen,) are kidnapped by a horse-stealing band of Apaches. Sam is hit over the head and left for tiring,. Sam recovers, though, Uncle Beck organizes a trot party (including Royal Dano, Dewey Martin, and Slim Pickens) and sets out after the kidnapped children. Ultimately, a left-for-dead Travis and a groggy but involved Sam join the posse.
Old-fashioned YELLER is the large `un in this two-pack, but I enjoyed SAVAGE SAM nearly as distinguished. It’s an enthralling toddle movie, and it doesn’t plumb the tragic depths its predecessor does.
The bonus disk contains a number of specials. A 35-minute special entitled “Primitive Yeller: Remembering a Classic,” a 2002 talking head documentary featuring a number of the remaining stars (Kirk, Corcoran, Parker, etc.) recalling the making of the movie. Intriguing if not deeply informative. A 15-minute “Conversation with Tommy Kirk” handsome grand explains it all, with the nearing-60 Kirk recalling his work with Disney. “Ranch of the Golden Oaks” is a 7-minute short about the ranch on which Archaic YELLER was filmed – had kind of an infomercial feel to it. There’s a short feature with Gipson’s son celebrating the unveiling of an Weak Yellow (and Travis) statue in a limited town in Texas. A rebroadcast of a television episode of The Improbable World of Disney from 1957 entitled `The Best Doggoned Dog in the World” devoted to, you guessed it, dogs. I don’t remember seeing the racy short `Bone Effort,’ but navigating Disney’s special feature disks is tricky sometimes. The specials were exquisite enough, gently selling Disney products, emphasizing Faded Yeller and aesthetic considerable ignoring Savage Sam.
I’d recommend these without hesitation, but the presence of horse stealing, kidnapping indians in SAVAGE SAM is a puny beyond the politically fair pale. Even though the kidnappers include a bold who steps in to protect the children a few times, the overall impression is that of scary, lawless savages. Those sensitive to such portrayals may want to spy SAVAGE SAM first before sitting down to it with the whole family.
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